ANALYSIS OF FAIR USE PRINCIPLES OF RELIGIOUS LECTURES DISSEMINATED BASED ON COPYRIGHT LAW
DOI:
10.5281/zenodo.21457516Published:
2026-07-20Downloads
Abstract
The development of technology, particularly social media, has created new opportunities for the dissemination of religious lectures while also raising challenges related to copyright infringement. Religious lectures are categorized as works protected under Law Number 28 of 2014 on Copyright through both moral and economic rights, although this protection intersects with the principle of fair use, which allows the use of works under certain conditions such as for education or public interest. This study aims to analyze the application of fair use to religious lectures distributed via social media and to examine how the exclusive rights of creators can be safeguarded without neglecting public access. The findings indicate that lectures merely quoting scriptures are not considered original works, while those that include interpretation and creativity by the speaker remain protected by copyright. The dissemination of lectures without permission, especially for commercial purposes, constitutes a copyright infringement. Therefore, a balance between the moral and economic rights of creators and the public's interest in accessing religious information is necessary to create a fair, ethical digital
Keywords:
Copyright Religious Lectures Fair use Social media.References
Buku:
Arif Lutviansor, 2010, “Hak Cipta dan Perlindungan Folklor di Indonesia”, PT Graha
Ilmu
Achmad Baihaqi, 2022, “Hak Cipta dalam Perspektif Hukum Islam”, Q-MEDIA.
Henry Soelistyo, 2022, “Plagiarisme: Pelanggaran Hak Cipta dan Etika”, PT
Kanisius.
H. OK. Saidin, 2019, “Aspek Hukum Hak Kekayaan Intelektual (Intellectual
Property Rights)”, Raja Grafindo Persada.
Rika Ratna Permata, Tasya Safiranita Ramli, Yuliana Utama, Biondy Utama, Reihan
Ahmad Millaudy, 2022, “Hak Cipta Era Digital dan Pengaturan Doktrin Fair Use di Indonesia”, PT Refika Aditama
Rulli Nasrullah, 2023, “Media Sosial: Perspektif Komunikasi, Budaya, dan
Sosioteknologi”, Edisi Revisi, Simbiosa Rekatama Media.
Ahmad M. Ramli, dan Tim Penulis Pusat Studi Cyber Law dan Transformasi Digital
Fakultas Hukum Universitas Padjadjaran, 2022, “Aspek Hukum Hubungan Platform Digital Over The Top dan Pengguna Konten Multimedia”. PT Refika Aditama
Deni Mahardika, 2015, “Cerdas Berbicara di Depan Publik”, PT FlashBooks
Jurnal:
Hendri S, “IMPLEMENTASI HAK CIPTA DALAM HUBUNGANNYA DENGAN TUJUAN
HUKUM”.
Julinentie, Danthy (2021) "LOGO DIPERSIMPANGAN UNDANG-UNDANG HAK
CIPTA DAN UNDANG- UNDANG MEREK," Dharmasisya: Vol. 1 , Article 25.
Kusdianti Annantasari, Budi Santoso, Sartika Nanda Lestari, 2016, “Implementasi
Perlindungan Undang-Undang Hak Cipta Terhadap Pembajakan Perangkat Lunak di Indonesia”, Volume 5, Nomor 2.
Muhammad Fauzi Rais Lutfi, Agus Sardjono, 2023, "Kajian Hukum Implementasi
Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta Terkait Perlindungan Hak Cipta Ceramah Agama," Technology and Economics Law Journal: Vol. 2: No. 2, Article 6.
Oksidelfa Yanto, 2016, “KONVENSI BERN DAN PERLINDUNGAN HAK CIPTA”, Vol. 6
No.1.
Sulasno, Inge Dwisvimiar, 2021, “Penerapan Kepentingan yang Wajar (Fair Use)
Mengenai Materi Hak Cipta di Internet”.
Syahrul Yaumil, 2023, “EFEKTIVITAS UNDANG-UNDANG HAK CIPTA TERHADAP
PELAKU SPOILER FILM DI MEDIA SOSIAL TIKTOK DALAM KASUS FILM MENCURI RADEN SALEH”.
Talitha Nuroini Ahdianitasary, 2019, “TOLOK UKUR PELANGGARAN HAK
INTEGRITAS BERDASARKAN PASAL 5 AYAT (1) HURUF E UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA TERHADAP KARYA FOTOGRAFI, LUKISAN DAN GAMBAR”.
Internet:
Sattia Wathy, “Pengertian Ceramah”,
https://www.scribd.com/doc/169957177/PENGERTIAN-CERAMAH
Shabrina Alfari, 2023, “Teks Ceramah: Pengertian, Unsur, Struktur, dan Ciri
Kebahasaan”,https://www.ruangguru.com/blog/unsur-unsur-dan-struktur-teks-ceramah, diakses pada 15 Maret 2024, pukul 11.00.
Peraturan Perundang-undangan:
Kitab Undang-Undang Hukum Perdata.
Undang-Undang Republik Indonesia Nomor 28 Tahun 2014 Tentang Hak Cipta.
United States Copyright Act 1976.
Perjanjian Internasional:
Berne Convention for the Protection of Artistic and Literary Works (Konvensi
Berne tentang Perlindungan Karya Seni dan Sastra)
License
Copyright (c) 2026 Wendelyn Winona Widyadari

This work is licensed under a Creative Commons Attribution 4.0 International License.




